Artist
LE ORME
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1966-67
Aldo Tagliapietra (vocals, guitar)
Nino Smeraldi (guitar)
Claudio Galieti (bass)
Marino Rebeschini (drums)
1967
Rebeschini replaced by:
Giuseppe "Michi" Dei Rossi (drums)
1968-70
Aldo Tagliapietra (vocals, guitar)
Nino Smeraldi (guitar)
Antonio "Toni" Pagliuca (keyboards)
Claudio Galieti (bass)
Michi Dei Rossi (drums)
1969
Galieti quits, De Rossi temporarily replaced by
Dave Baker (drums)
1970-75
Aldo Tagliapietra (vocals, bass, guitar)
Toni Pagliuca (keyboards)
Michi Dei Rossi (drums)
1975
enters:
Tolo Marton (guitar)
1976-80
Marton replaced by:
Germano Serafin (guitar)
1980-82 and again 1986-1990
Aldo Tagliapietra (vocals, bass, guitar)
Toni Pagliuca (keyboards)
Michi Dei Rossi (drums)
1996-2000
Aldo Tagliapietra (vocals, bass, guitar)
Michele Bon (keyboards)
Francesco Sartori (keyboards)
Michi Dei Rossi (drums)
2001
Sartori replaced by
Andrea Bassato (keyboards, violin)
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One of the most important and loved italian prog bands,
and one of the most famous among foreign listeners.
Le Orme were another of those bands coming from the beat era that had the most
convincing musical evolution in the 70's. They were formed in Marghera
(nearVenice) in1966 but their debut came in 1967 with Fiori e colori,
recorded by the original four-piece line-up.
The band had a successful single with Senti l'estate
che torna and recorded their first album Ad Gloriam at the end of
1968, releasing it the following year.
Housed
in a psychy sleeve the album is still regarded as one of the best in the italian
beat, with the music having a slight psychedelic touch in songs like Io non
so restare solo, Fumo, Milano 1968.
In 1970 the band signed a contract with Philips, that released their subsequent 10 albums in ten years. The old label Car Juke Box released L'Aurora, a compilation of their singles tracks that's also very rare now.
First album with Philips, and their first as a trio was Collage, with Aldo Tagliapietra having switched from guitar to bass and the band having now a keyboards based sound like foreign groups such as ELP. They had also made a trip to London to follow the current music evolution. A very good album, Collage contains some of their best tracks ever like Sguardo verso il cielo and Cemento armato.
With a great live following the band released a new album in 1972, Uomo di pezza, with a distinctive fantasy gatefold cover. The album was very successful, as the single taken from it, Gioco di bimba, that many of their fans disliked being too melodic. In the same year the band left the open-air festival circuit and began individual tours, with important guests such as Peter Hammill.
1973 saw the release of an ambitious concept album, Felona
e Sorona, based on the story of these two planets. A beautiful album,
containing a long suite, it also gave the band high placements in the LP and
singles charts (with the single Felona in this case). The sound was more
original, with the keyboards of Pagliuca being the leading instrument and the
delicate original voice of Tagliapietra giving a distinctive touch.
Le Orme made
their first english tour that year, and Felona e Sorona was also translated in
english and released by Charisma in the UK, but with little success.
Coming back to Italy, they were the most popular live group at the time, and decided to release a live album, In concerto in 1974. This was the first live album by an italian rock band and a very successful one, though the recording quality was far from today's standards. The album also included an unreleased track, the side-long 21 minute Truck of fire.
Contrappunti, released the same year, was a lower level effort in comparison with the previous works, with long instrumental parts (three of the seven tracks were instrumental) and producer Gian Piero Reverberi mentioned in the cover notes as a band member on piano.
Probably in search of a new sound the band enroled a fourth member, guitarist extraordinaire Tolo Marton (from Raptus), for their next album Smogmagica. And the album, recorded in Los Angeles, has in fact a different sound, with less predominance left to keyboards and the guitar in evidence, with spacey tracks like Laserium Floyd (with obvious Pink Floyd influences) or Laurel Canyon. The album was not entirely convincing, and newcomer Marton soon left the band, replaced by another guitarist, Germano Serafin.
With the new member they released next album Verità
nascoste in 1976, a very good one and probably their last good album for
many years. A hit single was also taken from it with Regina al Troubadour,
and the album, despite some melodic songs has some very good moments like Insieme
al concerto and Vedi Amsterdam.
Like Felona & Sorona this album was also recorded in an english-sung
version for foreign markets, but Secret truths was never released, though
it exists in bootleg form.
From 1977 the band entered its worst period, releasing albums
like Storia o leggenda and Florian having a stronger classical influences
and on a lower level than their previous works.
This lasted until 1982, when the group broke up for the first time.
Aldo Tagliapietra released a rock-oriented solo album in 1984, then the band
temporarily reunited
in 1986 for a single, but only in 1990 they returned together, again with Philips
for a pop album.
A new split came, with Toni Pagliuca beginning a solo career and the other two members (Tagliapietra and Dei Rossi) reforming the band, this time with two keyboardists, Michele Bon and Francesco Sartori. The revived group began touring again, and made its debut with Amico di ieri, a CD issued in 1997 containing remakes of tracks from their whole repertoire. Later in the same year they released a very good brand new album, Il fiume, closer to their early 70's sound. The album had a good success and the band was also invited to the Los Angeles Progfest in May 1997. Many other important foreign dates followed in these years.
In 2001 another great album, Elementi, housed in
a nice cover by Paul Whitehead (of Genesis fame) featured last recruit, keyboardist/violinist Andrea Bassato,
their sound consistently enriched by the unusual sampled guitar sounds by
Michele Bon, played on a self-made keyboard,
and it seemed that Le Orme had definitely found a second youth.
The third chapter in this trilogy of revamped prog works came in 2004, entitled
L'infinito, on the same level as the previous ones, the group
having now a slightly different sound than in the past, more based on piano and guitar,
but the quality of their works is still very high, just like their live
set.
2004 has also seen new live appearances by Toni Pagliuca, that has played with ethno-prog band Malaavia from Naples in many dates, adding to that band's live set some old classics by Le Orme. In the same year Pagliuca has released two interesting CD's, both only issued in limited pressing and now hard to find, Demos a Marghera, including studio recordings from 2003 and 2004, and the live Re-Collage (as its name suggests, based on the classic Collage album) with help from Van Der Graaf' Generator's sax player David Jackson and Massimo Donà Quintet.
At the beginning of 2008 Andrea Bassato left Le Orme, that remain in activity as a trio, with Tagliapietra, Dei Rossi and Bon. In the same year the group released, first in limited edition reserved to the Fan Club members and later in official form, a 2CD+1DVD box set taken from their live appearance at the Nearfest, in Pennsylvania, in 2005.
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(the trolley icon
lets you order the CD from BTF website)
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The early Car Juke Box albums are by far the rarest and
most collectible albums by Le Orme. Both Ad Gloriam and L'Aurora are
very expensive and hard to find.
These two albums had an official private reissue (500 copies for Ad Gloriam, 520
for L'Aurora) by an italian dealer in 1996/97, easy to identify as the labels have a white/cream lettering on red
background whereas the original classic Car Juke Box label was silver on red
(black in the case of L'Aurora). The reissued Ad Gloriam had
a non-laminated cover and standard side-opening (original had the LP inserted
from the gatefold centre), while L'Aurora contained a round sticker
reproducing the album cover.
These albums are now easy to find in the recent Akarma reissues.
Some copies of Ad Gloriam
contain a white inner bag, printed on one side only, that repeats the notes
printed on the inside gatefold, apart from the four-piece line-up featuring
drummer Dave Baker. It's likely that this sleeve was printed when Galieti and
Dei Rossi left the band for their military duties. Copies with the inner bag are
particularly rare.
The first issue of Uomo di pezza has a gatefold textured cover with a square pattern design (see picture below). A subsequent issue has also a gatefold textured cover, but with an orange peel pattern.
The Philips albums have been reissued lots of times
during the years, the reissues have standard covers (and sometimes single
sleeves instead of gatefold) where the original were laminated or gatefold.
Later issues can also be identified by the label. Original Philips
labels are electric blue with silver lettering, reissues had a different blue background and
cream or white lettering.
In the late 70's all the Philips album by Le Orme have been reissued in the
Successo mid-price series with single covers and no inserts or inner sleeves.
These have the same numbers as the originals but can be easily identified by the
series logo on the cover.
Also some 80's reissues exist in single covers with the same catalogue numbers
as the originals and white labels with blue logo and writings.
The album Il fiume, released in 1997 though the covers carry the 1996 year, has been released on CD and in a limited numbered vinyl edition of 1000 copies, with a gatefold cover.
The Felona e Sorona album was also released in an
english-sung version in UK, on Charisma (CAS 1072), the lyrics being by Peter
Hammill.
A single was also planned for release in UK coupling Child's play with
Truck of fire but this was never released. The fact has been confirmed to
us by drummer Michi dei Rossi and by some Charisma collectors from the UK.
A few oddities on the UK album version, that is instantly identifiable by the Felona
& Sorona title on the non-laminated LP (instead of the
original being entitled Felona e Sorona). The name of producer
Reverberi has become Giun Piero on the label (instead of Gian Piero), and the
album title on the label is written Felona and D(S)orona, though some
copies carry the correct name.
The album was issued by Charisma when it was still owned by B&C and before
that label was bought by Phonogram. Only around 5000 copies of this album were
produced, some of this were withdrawn due to a defective pressing.
Most Philips albums have been issued in Japan (Uomo
di pezza-Nippon Phonogram BT-8116, In concerto-Nippon Phonogram
BT-8121 with single cover, Contrappunti-Nippon Phonogram BT-8112, Felona & Sorona
(english version)-Charisma/Nippon Phonogram RJ-7222), where an
otherwise unavailable Le Orme Live double album has been released in 1986
(Nexus K20P 611/12) and an EP, Rarità nascoste (Nexus 7SSY-14) were also made,
including unreleased live and TV recordings. Both are very interesting items.
All the japanese records mentioned above have also been issued on CD.
In the bootleg field, a japanese CD, with the odd title Cera un volto (that's a totally meaningless title, in italian) deserves to be mentioned, including a live recording from a 1975 concert in Modena, the full Rarità nascoste japanese EP (itself a bootleg, by the way), and both tracks from the 1976 single Canzone d'amore.
An US-only compilation, entitled Beyond leng,
was released by Peters in 1974. It contained eight tracks from Contrappunti,
Uomo di pezza and Felona e Sorona. The titles are translated in
english but the recordings are the same as the original italian-sung albums.
Contrappunti was also released in Canada on Philips (6323 035, red
label).
An incredible foreign issue to mention, Ad gloriam was originally released in Brazil on Car Juke Box subsidiary Caravelle (CAR LP 1026) with the same gatefold cover and yellow label. Also Brazilian vinyl issues exist of Collage and Smogmagica, while Elementi was only issued on CD in that country.
In Argentina there were local issues of Storia o
leggenda (Philips 6323 052, same number as the italian issue but spanish
title Historia o leyenda on cover), and of the
single Si yo trabajo/Historia o leyenda (Se io lavoro/Storia
o leggenda - as usual the foreign titles were translated, but these were
regular italian sung versions) on Philips 6025 185, released in 1978.
In Venezuela Collage was released with single cover (Philips 40.002).
A limited issue (only a few hundreds copies) of Collage was printed in Israel, on the Phonodor label.
Also, old korean bootleg reissues of Felona e Sorona, Storia o leggenda and Florian also exist, with single monochrome covers (unknown label reproduced original design).
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| Ad gloriam - gatefold cover | |
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| Ad gloriam - LP, inner bag | |
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| Ad gloriam labels: original LP - late 90's reissue LP - brazilian LP (Caravelle label) | |
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| L'aurora - LP | L'aurora - late 90's reissue LP label |
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| Collage - LP | |
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| Uomo di pezza - gatefold cover | |
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| Uomo di pezza - first issue, squared pattern textured cover detail | |
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| Uomo di pezza - second issue, orange-peel pattern textured cover detail | |
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| Felona e Sorona - LP | |
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| Felona & Sorona (UK version) - LP and label | |
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| In concerto - LP | |
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| Contrappunti - LP | |
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| Smogmagica - LP | |
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| Smogmagica - poster | |
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| Verità nascoste - gatefold cover | |
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| Storia o leggenda - LP | |
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| Piccola rapsodia dell'ape - LP | |
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| Il fiume - LP | |
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| Elementi - LP | |
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| L'infinito - LP | |
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| Live Orme - Japan LP | |
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| Beyond leng - US LP front cover and label | |
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| Fiori e colori - 7" single | Senti l'estate che torna - 7" single |
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| Milano 1968 - 7" single | Irene - 7" single |
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| L'aurora - 7" single | Il profumo delle viole - 7" single |
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| Sguardo verso il cielo - 7" single | Gioco di bimba - 7" single |
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| Felona - 7" single | Blue rondò a la Turk - 7" single |
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| Frutto acerbo - 7" single | Sera - 7" single |
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| Amico di ieri - 7" single | È finita una stagione - 7" single |
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| Regina al Troubadour - 7" single | |
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| Rarità nascoste - Japan EP | |
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Click on pictures to enlarge
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The band has an official website in italian and english at www.le-orme.com
Singer and bass player Aldo Tagliapietra has a website at www.aldotagliapietra.it
Original keyboardist Toni Pagliuca's
website can be found at
www.tonypagliuca.eu.
Toni is currently collaborating, both in the studio and in their concerts,
with ethno-prog group Malaavia, whose website is at
www.malaavia.net
Tolo Marton, guitarist with Le Orme in 1975, has his own website, www.tolomarton.com
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Thanks to drummer Michi dei Rossi for help and information.
Also thanks to Humberto Luna Tirado,
Donato Santangelo, Tino of Sezione
Musica, Massimo Pozzi, Giacomo Beatrici, Luiz Claudio Cals Brügger, Marzio
Barbieri, for various pictures and information.