Artist

IL ROVESCIO DELLA MEDAGLIA

1970-73
Pino Ballarini (vocals, flute)
Enzo Vita (guitar)
Stefano Urso (bass)
Gino Campoli (drums)

1973
new member added:
Franco Di Sabbatino (keyboards)

1974-75
as above without Pino Ballarini

Il Rovescio della Medaglia were formed in Rome around the end of 1970 from the ashes of the beat band I Lombrichi. Enzo Vita, Stefano Urso e Gino Campoli founded the group, that had as lead singer first Gianni Mereu (not the guitarist of Logan Dwight), then Sandro Falbo (from Le Rivelazioni) and soon later Pino Ballarini, who had moved to Rome from Pescara where he played with Poema.
Their first great success was at Viareggio Pop festival and they soon became one of the most popular live bands in Italy during the early 70's.

First LP La Bibbia, released in 1971, was basically a very good hard-rock album with slight prog influences, recorded live in studio and accompanied by a distinctive round medallion-shaped booklet
The second one, Io come io a year later, was in the same style, with ambitious philosophical lyrics inspired from Hegel works. A short album (less than 30 minutes) but again a really good one!

In 1973 a fifth member was added, keyboard player Franco Di Sabbatino, also from Pescara, like Pino Ballarini, and briefly with Il Paese dei Balocchi.
With their sound enriched by the keyboards, Il Rovescio released the third album, Contaminazione, with the help of argentine composer Luis Enriquez Bacalov, who had already worked with New Trolls for their Concerto Grosso and Osanna.
The album was obviously more in a symphonic direction, and was also released in an english-sung version and issued in many foreign countries, to try to launch the group abroad. The english language album appeared in Italy in 1975 only, when the band had already split up.

By this time the band was being renowned for their powerful performances, always played at the loudest possible volume and helped by a unique sound system. This is what the Contamination LP liner notes said about it (originally written in english, mistakes and all...): "Their instrumentation is among the moste interesting in Europe. The 6000 watt Mack vocal equipment is quadrophonic and is equivalent to 36 track amplifiers. The console table is really a portable recording studio with filters, compressors, etc. The guitar, the battery and the keyboards have 900 watt amplifiers. The keyboards consist of a vertical B Hammond organ, a harmonium, an eminent for the reproduction of strings, two VCS synthesizers, a 200 Harp [it was probably an ARP], and two mini moog synthesizers. The lighting equipment is also important. There are 50 spotlights which produce colors and special effects. On a special screen behind the group, slides and films are projected to produce abstract musical effects.". 
Not bad for an italian band, and no one else in Italy had such a powerful live act!

But... in december 1973 the stealing of their big and expensive PA brought the band close to the end, with Pino Ballarini leaving for Switzerland (briefly replaced by Michele Zarrillo from Semiramis) and the others continuing as an instrumental-only band. The live album Giudizio avrai, privately released by the band in the late 80's, contains a recording from this period, with the band's sound dominated by the keyboards.

Last release is a single from 1975 (there's a mention on its cover of a new album, but this was never released), then the band had various line-up changes up to 1977. 

Bassist Stefano Urso founded Europe, authors in the early 80's of an album (Bubble BLU-19609) and some singles in pop/rock style.
In early 90's guitarist Enzo Vita reformed the band with a new line-up and released a new CD called Il ritorno, different from their past production and more AOR-inspired, as its follower Vitae (recorded earlier).

Both the original and the reissue of La Bibbia contain a round booklet representing a golden medallion, with live pictures of the band. 
While the cover reissue is easy to distinguish because of the barcode, Contempo logo and smooth cardboard, the booklet is almost identical to the original, and only a side-to-side comparison can help tell one from the other. As original booklets are often missing, many collectors replaced them with the reissue booklet.

Io come io has never been reissued on vinyl, original has a thin cardboard gatefold cover with a large hole in the middle where a bronze medallion was housed in very few early copies (a real rarity among collectors, and a very expensive one indeed!). Apparently, according to the press advertisments issued at the time of its release, 7000 copies of the album came with the medallion, created by the florentine artist Brandimarte.
The gatefold cover contains a single sheet glued in the center with the lyrics. Three different versions exist of this sheet, see the pictures below:
-one has a large picture of the band on front, and this can be viewed through the hole on the cover; 
-a second one is almost completely black on the front side, and it was probably the one intended to have the bronze medallion; sometime these inserts were folded in four thin parts. 
-a third one, the rarest of them all, has a picture reproducing the medallion that can be seen through the hole.

Contaminazione and Contamination have different covers, the second one being an english-sung version released for foreign markets.
Some early copies of Contaminazione contained a small insert (approx.14.5x9.8cm) with a quotation on popular music by Marcel Proust, which was also included on other contemporary RCA albums (among these Festa Mobile/Diario di viaggio della Festa Mobile and Maurizio Monti/L'amore).

Giudizio avrai was a privately released, self-produced live album recorded in 1975 and including an instrumental-only performance. It came in a dark-looking brown gatefold cover with an embossed band logo in the centre, but later copies had a standard gatefold cover with no logo on the front side.

The 1975 single, Let's all go back (incidentally this was the only single the band ever made), mentioned on its cover an album on the Frog label with catalogue number FRL 0101, but this was never released.

No counterfeits should exist of any albums. 
La Bibbia and Contaminazione (italian version) were issued in Venezuela by RCA, the first of them (LPVS 1540 - year 1975) had the band's name translated in El Reverso de la Medalla and the title La Biblia (but the record is sung in italian), the latter containing a translation of the liner notes.
Contaminazione has been reissued in Japan and Korea, while its english-sung equivalent Contamination exists in US (on Peters label) and german and canadian RCA issues (with same number as the corresponding english sung issue released in Italy).
An old korean bootleg reissue of Contaminazione also exists, with single cover and cat.no 15 (unknown label reproduced RCA design).

All the Rovescio albums except Giudizio avrai have been issued on CD; two different issues came out on RCA for Io come io, the first one in 1994 was co-produced by the Pick Up record shop (credited on back cover), a second one came out in 1999, both were very limited pressings and carry the same catalogue number and year.
La Bibbia has been reissued on CD in March 2003 by BMG with mini-LP cover and obi, as part of their "Dei di un perduto rock" series, and later repressed in October of the same year when a second batch of those CD's came out (including, among others, Contamination).
The CD was announced by BMG as being also available with standard jewel case (cat.no. 74321-98161-2) but was probably never issued in this form.

In Japan La Bibbia, Io come io (the latter with a reproduction of the original bronze medallion on the cover) and Contaminazione have been reissued by BMG in 2004/2005, with mini-LP covers. Catalogue numbers are BVCM-37582, BVCM-37583 and BVCM-37503 respectively. Contaminazione had already been reissued on CD by Edison (ERC-32010) in 1989.

La Bibbia - LP + booklet
Io come io - an original complete copy with bronze medallion
Io come io - standard LP (with and without inner picture)
Io come io - inner gatefold (with colour picture)
Io come io - inner gatefold (without colour picture)
Io come io - 8-track cartridge
Contaminazione - LP
Contamination (english language - italian issue) - LP	Contamination (english language - US issue) - LP
Giudizio avrai - LP with embossed logo
Let's all go back - 7" single cover

Click on the pictures to enlarge

Rovescio della Medaglia - Sandro Falbo at Kilt, Rome 1971

Rovescio della Medaglia - Viareggio Pop Festival (with Gianni Mereu), may/june 1971

Thanks to Luigi Papi, Corrado Donati of Mondocafe and Nicola Di Staso for information and pictures