Artist

NUOVA IDEA

1969-71:
Marco Zoccheddu (guitar, vocals)
Claudio Ghiglino (guitar, vocals)
Giorgio Usai (keyboards, vocals)
Enrico Casagni (bass, flute, vocals)
Paolo Siani (drums, vocals)

1972:
Zoccheddu replaced by 
Antonello Gabelli (guitar, vocals)

1973:
Gabelli replaced by 
Arturo "Ricky" Belloni (guitar, vocals)

A group from Genova, they had much in common with New Trolls, even because two of their members, Usai and Belloni, have even played with that band in different stages.
The origins of the group lay in the 60's, with a quartet called Plep from the names of the four musicians, Paolo Martinelli, Luciano Biasato, Enrico Casagni and Paolo Siani, but after the line-up change, the name became J.Plep for the release of a single for Carosello in 1969 (even if the label has the name "Gil dei J.Plep" who was in fact the singer Giorgio Usai).

After many concerts the name Nuova Idea was chosen in 1970 for their first single, presented at the Disco per l'Estate and including two tracks based on a similar theme; but the real success came in 1971, when the band played at the first Viareggio pop festival with Come, come, come, and a long 20-minute version of that track was also included in the Ariston sampler Al Festival Pop Viareggio 1971 along with tracks by Stormy Six and Top 4. 
The same track was chosen as leading theme of a popular TV show (A come Agricoltura) and appeared on the first side of their debut  album In the beginning, while on the other side there were four shorter songs in a more melodic style (three of these had already appeared on the band's early singles). The record was issued by Ariston with none of the musicians knowing about it.

In 1971 guitarist Marco Zoccheddu, a leading figure in their concerts, left the band to form Osage Tribe. His place was taken, for short time by Antonello Gabelli, who played on the second album Mr.E.Jones, a concept album based on a clerk's life, with good lyrics and some nice tracks like the long Illusione da poco. The band makes a strong use of multivocal and falsetto parts not unlike New Trolls', but the instrumental parts are very well played.

At the end of 1972 another new guitarist, Ricky Belloni from the Milan group Il Pacco, and the band releases their best product, Clowns, where the particular (and disturbing, to many listeners) voice of the newcomer adds an original touch to a majestic instrumental background. The success is still far from Nuova Idea, and the band members split, with Belloni joining New Trolls in 1975 to record their Concerto Grosso n.2, Usai following his example in 1978, and drummer Siani playing with Equipe 84 and Opus Avantra.
Another drummer, Flaviano Cuffari (from Simon Luca's backing band), had briefly played in the group when Siani left in the summer of 1973, just before the split.

After the end of Nuova Idea Ricky Belloni and Paolo Siani formed the short-lived supergroup Track that only released an album on Ariston in 1974, Track rock, a sort of all-stars jam session.
Ricky Belloni also had a solo single on PDU (Ricordi da bruciare/Letto sfatto) in 1974 before joining New Trolls.
Drummer Paolo Siani released two easy pop singles under the name Pappy Mammy & Son in 1975 and 1976 on Ariston.
Bassist Enrico Casagni made a solo LP in 1977, entitled Qualcuno stanotte for EMI/Parlophone.

The first line-up of Nuova Idea was also behind the Underground Set and Psycheground Group names with a totally different kind of records.

In the beginning was issued on the old black Ariston label with silver writing, by the time Mr.E.Jones came out the record company had launched a new "young" label for their progressive artists, called "Produzione Gnomo" with a beige background. Clowns was also released on the Ariston Gnomo label.

Only some copies of Mr.E.Jones contained a promo poster, that curiously had the same design as their first album. These even carried a small coupon advertising the poster, visible under the shrinkwrap and obviously lost in most cases.
An identical poster, but without the title of the second album, can be found in some copies of the first LP.
Mr.E.Jones was also reissued in 1978 in the Oxford series with a single sleeve reproducing the same design as the original. It's likely that Clowns has also been included in this reissues series.

Clowns was reissued on vinyl in 2009 by Sony, in a limited numbered pressing.

No counterfeits should exist nor foreign issues.

J.Plep, along with their lonely single from 1969, also appeared in the soundtrack of the film L'uomo dal pennello d'oro (released in Italy in 1972) with the song Soul of the world. The rest of the film soundtrack was credited to The Underground Set, but apparently it has never appeared on record.

In the beginning - LP
Mr.E.Jones - LP with poster card
Mr.E.Jones poster
Clowns - gatefold cover
Pitea, un uomo contro l'infinito - 7" single gatefold cover
La mia scelta - 7" single
Mister E.Jones -  7" single	Sarà così - 7" single
La scala - J.Plep 7" single

Thanks to Giorgio Meloni of Metrodora for information on the Nuova Idea/Underground Set connection, and to Pino Orlandi and Pasquale De Vico for information on the discography.